Keynote Address, Dependence, Liberation, and Creativity: Reclaiming the Power of Adaptation

Isaac Sequeira Memorial Lecture, Adaptation and Translation: Reversing a Hierarchy

Across Rivers and Roots: Ethical and Ecological Worlds in the Writings of Nguyễn Ngọc Tư and Contemporary Indian Women Authors

Hybridity, Carnivalism, and Commercialization: Trans- Cultural Adaptation of Traditional Myths in Salman Rushdie’s Midnight’s Children

Haiku After Adaptation: On the Fate of An Oriental Genre in the Western World

From Pages of Literature to the Frames of Comics: Examples of Edgar Allan Poe and George Orwell

The Mutuality of Adaptation in/of Percival Everett’s Works

Adaptation as Transformative Reimagining: Analysing Shiv Kumar Batalvi’s Luna

From Folktale to Franchise: Rapunzel in the Age of Adaptation

Between the Ancient and the Animated: Visual and Narrative Adaptation of Select Epic Characters of The Mahabharata in Grant Morrison’s 18 Days

“To Win is to Lose Everything and the Game Always Wins”: The Politics of Fidelity in Vikram Chandra’s Sacred Games and its Screen Adaptation

Re-inventing of Sita’s Character through the Analyses of Devdutt Pattanaik’s Sita: An Illustrated Retelling of the Ramyana

Understanding Satyajit Ray’s Filmic Approach to Ibsen: A Comparative Study of Ganashatru and An Enemy of the People

Politics of Adaptation and Consumerist Subversion in the Filmic Representation of Kazuo Ishiguro’s Never Let Me Go

Requiem for a Nightmare: A Comparison of Daron Aronofsky’s Film with Hubert Selby Jr.’s Novel

Against Forgetting: Haider, Hamlet and the Politics of Remembrance

Divine Spectacle: The Cinematic Rebirth of Indian Epics

Exploring the Nuances of Neo-Noir: A Study of Graham Moore’s The Outfit

Epic Voices, Feminist Fires: Reimagining Sita and Draupadi Across Genres

Tracing the Transition of Vikram Seth’s, A Suitable Boy from Text to OTT

Adaptation as an Act of Political Cloning and Alteration of Narratives: An Analysis of The Hate U Give

Palimpsests of Green Gables: Intertextuality, Identity, and Ideology in Anne with an E

Othello to Omkara: Caste, Social and Political Hierarchy in Vishal Bhardwaj's Adaptation of Shakespeare

The Sacred and Its Adaptation: Negotiating Folklore and Scriptural Authority

Mannequins on the Stage: Contemporary Theatrical Adaptations as a Socio-Cultural Discourse on Gender Fluidity

Feminist and Political Erasure: The House of the Spirits Novel vs. Film

Plurilingualism and the Problem of Translation/Adaptation: A Study of Select Sufi/Bhakti Poems in Bangla/Hindi Translation

Visual Hermeneutics as Adaptation: Translating Sufi Mysticism Through The Aesthetics of Presence

Tracing the Echoes of Partition through Brushstrokes, Panels and Cinematic Lenses

Adding Nuances of Postcolonial Arguments to Shakespeare – A Study of Selected Novels under Hogarth Shakespeare Series

Poetry as ‘Passage’: Symbolic Adaptation and Cultural Memory in the Poetry of Meena Alexander

Journey of The Blue Umbrella from Text to Screen: Signposts Missed, Milestones Achieved