MEJO

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Facts, Distortions and Erasures: Literature as History; History in Literature

February 2018

Apocryphal Canons: The (Post)Modernist Turn of the Spanish Golden Age

Manuel Broncano

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Intentions of History and Literature

Mukesh Williams

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Examining the Personal Accounts of Takeda and Qureshi as Literature and History

Ui Teramoto

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A Postethnic Revisiting of History in Rita Dove’s The Yellow House on the Corner and Thomas and Beulah

Lekha Roy

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History or Story?: Amitav Ghosh’s The Shadow Lines

Amit Sharma

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History/Herstory: Mata Hari and "Madeleine" Noor

Nilakshi Roy and Preeta Nilesh

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Recovering Her-Story of Islamic Revolution: A Critical Analysis of Selected Memoirs of Diasporic Iranian Women

Navdeep Kahol

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We All Bleed History: Alternative Historical Viewpoints Expressed in Maus, All Quiet on the Western Front and Schindler's List

Sayan Mukherjee

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Facticity and Fictionality: Mahesh Dattani’s Where Did I Leave My Purdah?

Monika Kaushik and Suman Sigroha

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Tracing Racial History: Mildred D. Taylor’s The Land

Rajeep Kumar Tirkey

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From the Margins to the Centre: Translation of Folk, Legend and History in The Restless Quest by JP Cross

Suman Sharma

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Voices from the Margins: Her-Story in Arundhati Roy’s The God of Small Things

Shishu Bala and Suman Sigroha

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Negotiating Contours of Colonial Violence: Applying Fanon’s Studies to Caryl Phillip’s Crossing the River and Jane Harrison’s Stolen

Hem Raj Bansal

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Representation of History in Kuntala Kumari Sabat’s Fiction: Revisiting The Woman with Nine Voices and Raghu, the Orphan

Mary Mohanty

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Fiction as Social History: A Study of Upton Sinclair’s The Jungle as a History from the Other Side

Harsh Bhardwaj

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Gender Dynamics: Struggle of Women in the Black Panther Party

Srishti Sehgal and Rohit Phutela

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Revisiting History Through Memory: A Study of Nawal El Saadawi’s Memoirs from a Women’s Prison

Ekjot Kaur

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